by Theo Anthony
At a time when surveillance technologies increasingly determine our lives, filmmaker Theo Anthony opens our eyes to the connection between cameras, weapons, policing and justice – pillars of surveillance that have always shared a close and eventful relationship with photographic innovation. Among other things, the film takes us to Scottsdale, Arizona, the seat of the leading American manufacturer of body cameras and tasers, and shows us how they are introduced in Baltimore police training rooms. ALL LIGHT, EVERYWHERE is a kaleidoscopic essay on visual perception and modern policing methodology. Nominated for the Science Film Award